Into The Wild (2007)

Into-the-Wild

McCandless was a self-serving fool, and the narrative suffers because of this.

This film was recommended to me by a couple of friends, I was looking forward to it, it had an interesting premise on face value, but by not even half-way through, the film had lost its appeal for me purely because of the ostensibly ‘inspirational’ material it was based on.

The film, directed by Sean Penn, follows Christopher McCandless (Emile Hirsch), a young, idealistic university graduate who yearns to leave modern civilisation and live off the land like some sort of noble savage.

I have backpacked around Europe and South East Asia, I wholeheartedly understand the appeal of travelling for extended periods of time and living out of a rucksack. I also, like many others I’m sure, can empathise with McCandless’s contempt for the expectations, uncertainty and pressure of young adulthood. But, quite frankly, McCandless was a selfish fool who lost all sense of rationality whilst making a grand statement about civilised society. He left his only sister with their emotionally distant, shallow and contentious parents to pursue his ill-fated adventure totally unprepared. So unfortunately, I couldn’t see past the lead character’s naivety and self importance.

But despite this, I did find myself compelled to watch McCandless’s interaction with the film’s supporting cast; the hippies, old man Ron Hanz (Hal Holbrook) and dare I say it even Kristen Stewart’s role were infinitely more interesting than McCandless’s ‘inspiring’ mission. To think some viewers find his story ‘inspirational’ shows entertainingly poor judgement, they can’t have seen the whole film! Again, I stress that this film isn’t bad film making, it features good performances from the whole cast and some good emotive interplay between them, but it is all set within the context of the lead character’s idiotic escapade, a fundamental aspect which I cannot bypass.

It’s a shame that McCandless has been immortalised for being so reckless.

63%

Gangster Squad (2013)

GANGSTER SQUAD

A dull, rehashed disappointment

I had read many damning reviews of ‘Gangster Squad’, however I was ready to accept it as mere pulp fiction, and during the opening 40 minutes or so, it seemed like I would be able to, but by the closing credits, I discovered it wasn’t even good enough for that.

The film tells the story, which is ‘inspired by real events’, of a covert group of tough police officers who endeavour to stop Mickey Cohen’s criminal activity encroaching on Los Angeles. Strangely, the film boasts a popular cast with the likes of Sean Penn, Ryan Gosling, Josh Brolin and Nick Nolte.

It establishes its characters and premise pleasingly enough, but ultimately it fails to deliver through a lack of humour, narrative baggage, clichés and a slew of boring stock characters. The film draws parallels with the infinitely superior ‘LA Confidential’, however there are more similarities with ‘The Expendables’, only without the laughs and nostalgia.

When it attempts to create even a slight portion of pathos, it’s baggy and dull; the film is bereft of any emotional weight whatsoever. The film operated more like a video game than a film, with its silly elaborate action scenes and Mickey Cohen (Sean Penn) feeling like the ‘boss’ villain rather than a human character. Actually, that comparison isn’t fair on the gaming industry; I have played and completed ‘Mafia II’, which has far more in the way of developed characters and narrative.

The film’s sole interest is period style; substance and veracity aren’t its top priorities. What occurs on screen is pure fantasy; the extent of its historical accuracy doesn’t go far beyond the fact that there was once indeed a man named ‘Mickey Cohen’ who wasn’t particularly nice.

The allure of 1940s Hollywood and its strong cast will bring ‘Gangster Squad’ to the attention of many people, however it is a formulaic, mediocre and superficial rehashing of films such as ‘Chinatown’ and ‘L.A. Confidential’.

50%