Switchblade Romance (2003)

switchblade romance

Though it descends into total implausibility, ‘Switchblade Romance’ is a gripping, visceral horror film that manages to keep one step ahead of the viewer.

‘Switchblade Romance’ is a violent, cruel horror film that adopts the conventions from slasher films such as ‘Halloween’ and adds a psychological twist. Without giving anything away, I would politely say the twist can only be interpreted and explained in somewhat woolly terms; I could also say that it’s completely stupid. However, given that ‘Switchblade Romance’ is merely exploitation cinema, it didn’t particularly bother me.

I felt the film, though predominantly clichéd, did manage to avoid becoming tired, its suspense was taut and relatively unpredictable. However, it only just managed it, it was a close call, those familiar with the slasher films of the 70s and 80s may feel ‘Switchblade Romance’ is just a bundle of rehashed themes. The film departs from its slasher relatives in respect to cruelty and realism; it has a gritty, unpleasant quality that is similar to modern horror films like ‘Wolf Creek’, the grisly Australian affair that appeared in 2005.

Much like ‘Wolf Creek’, after it had finished I found myself asking ‘Why? What’s the point?’ These overly sadistic, one track films leave me feeling rather hollow; they’re a dose of visceral thrills so relentlessly bleak and potent that they leave me questioning their status as ‘entertainment’. I wondered why someone would want to make such one- dimensionally cruel films. The only purpose I could think of was how both films place the viewer in a ‘What would you do if you were being stalked by a murderer?’ situation, which indeed makes them a thoroughly engrossing, if life-sapping ordeal to watch.

Ultimately, ‘Switchblade Romance’ is a straight-forward endurance test that provides an ample amount of tension and gore, but its overreaching, illogical ending and general vapidity may leave you feeling slightly hollow by the end credits.

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The Loved Ones (2009)

The Loved Ones

‘The Loved Ones’ is ultimately an exercise in frustration and indignation.

‘The Loved Ones’ is a well-made film, but it’s also hollow and nasty. It takes a developed, sympathetic character and subjects him to an array of torture and humiliation at the hands of Lola and ‘Daddy’, a vile father/daughter serial killing partnership.

The film drew significant parallels with ‘The Texas Chainsaw Massacre’, a film I like. The difference between the two is that ‘The Loved Ones’ is far crueler; the protracted scenes of humiliation and violence left me utterly indignant. ‘Chainsaw Massacre’ is also an iconic, genre defining piece of work; this film is merely one of its many imitators.

Tough films such as the fellow Australian horror ‘Wolf Creek’ serve as an endurance test; they’re full of tension, suspense and eventually unflinching brutality. They’re straightforward and not particularly good, but they do have a purpose, albeit a doubtful one. ‘The Loved Ones’ however is just overbearingly frustrating; how can anyone derive anything but negative emotion out of watching an innocent character being tied to a chair and tortured?

As I watched their exploits, I realised that Lola and ‘Daddy’ were such reprehensible characters that no come-uppance would be satisfying enough, my growing bloodlust would have only been satiated if I’d been able to jump into the frame and exact hyper-violent justice myself.

The effect the film had on me is clearly testament to the power of it. There’s no doubt that it’s taut, well made and well-acted, however ‘The Loved Ones’ is ultimately an exercise in frustration and indignation.

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