Its aberrance is undeniably interesting.
Harmony Korine’s ‘Gummo’ is a very strange little film. Its documentary realism is rather captivating, the bizarre people we see appear to be completely real.
There’s no plot to speak of, its just an insight into underclass America. The filthy circumstances these people live in will make you cringe, as will their moronic forms of socialising, which includes cheered-on chair smashing.
The film is certainly laced with pretension, and there are pointless scenes that just reek of ‘art-house’. I can understand why some people wouldn’t like it; it’s non-linear, quirky narrative is very likely to polarise audiences. However, I found the veritable aberrance of the film undeniably interesting.
While ‘Gummo’ isn’t that good, its candid realism makes its uneventful narrative quite engrossing; it may well be the most peculiar film you ever see.