Though it descends into total implausibility, ‘Switchblade Romance’ is a gripping, visceral horror film that manages to keep one step ahead of the viewer.
‘Switchblade Romance’ is a violent, cruel horror film that adopts the conventions from slasher films such as ‘Halloween’ and adds a psychological twist. Without giving anything away, I would politely say the twist can only be interpreted and explained in somewhat woolly terms; I could also say that it’s completely stupid. However, given that ‘Switchblade Romance’ is merely exploitation cinema, it didn’t particularly bother me.
I felt the film, though predominantly clichéd, did manage to avoid becoming tired, its suspense was taut and relatively unpredictable. However, it only just managed it, it was a close call, those familiar with the slasher films of the 70s and 80s may feel ‘Switchblade Romance’ is just a bundle of rehashed themes. The film departs from its slasher relatives in respect to cruelty and realism; it has a gritty, unpleasant quality that is similar to modern horror films like ‘Wolf Creek’, the grisly Australian affair that appeared in 2005.
Much like ‘Wolf Creek’, after it had finished I found myself asking ‘Why? What’s the point?’ These overly sadistic, one track films leave me feeling rather hollow; they’re a dose of visceral thrills so relentlessly bleak and potent that they leave me questioning their status as ‘entertainment’. I wondered why someone would want to make such one- dimensionally cruel films. The only purpose I could think of was how both films place the viewer in a ‘What would you do if you were being stalked by a murderer?’ situation, which indeed makes them a thoroughly engrossing, if life-sapping ordeal to watch.
Ultimately, ‘Switchblade Romance’ is a straight-forward endurance test that provides an ample amount of tension and gore, but its overreaching, illogical ending and general vapidity may leave you feeling slightly hollow by the end credits.