‘The Loved Ones’ is ultimately an exercise in frustration and indignation.
‘The Loved Ones’ is a well-made film, but it’s also hollow and nasty. It takes a developed, sympathetic character and subjects him to an array of torture and humiliation at the hands of Lola and ‘Daddy’, a vile father/daughter serial killing partnership.
The film drew significant parallels with ‘The Texas Chainsaw Massacre’, a film I like. The difference between the two is that ‘The Loved Ones’ is far crueler; the protracted scenes of humiliation and violence left me utterly indignant. ‘Chainsaw Massacre’ is also an iconic, genre defining piece of work; this film is merely one of its many imitators.
Tough films such as the fellow Australian horror ‘Wolf Creek’ serve as an endurance test; they’re full of tension, suspense and eventually unflinching brutality. They’re straightforward and not particularly good, but they do have a purpose, albeit a doubtful one. ‘The Loved Ones’ however is just overbearingly frustrating; how can anyone derive anything but negative emotion out of watching an innocent character being tied to a chair and tortured?
As I watched their exploits, I realised that Lola and ‘Daddy’ were such reprehensible characters that no come-uppance would be satisfying enough, my growing bloodlust would have only been satiated if I’d been able to jump into the frame and exact hyper-violent justice myself.
The effect the film had on me is clearly testament to the power of it. There’s no doubt that it’s taut, well made and well-acted, however ‘The Loved Ones’ is ultimately an exercise in frustration and indignation.