A clichéd, dull and unfunny effort from the elder McDonagh brother.
Like many others would have done, I bought this film after seeing Martin McDonagh’s ‘In Bruges’, meaning that naturally I would be comparing the two throughout. Unfortunately for writer/director John McDonagh, Martin’s elder brother, ‘The Guard’ didn’t fare well. In fact, it lacks everything that made ‘In Bruges’ so excellent; it lacks the pathos, the taut script, the characters and crucially, it completely lacks the humour.
Leading the cast are Brendan Gleeson and Don Cheadle as two very clichéd stock characters. Gleeson is the foul-mouthed, maverick guard whilst Cheadle is the officious, straight-laced F.B.I agent – yes I know, how very boring. However, not only is this construct completely trite, it’s also very poorly executed. It follows the usual buddy cop formula unconvincingly, the lack of developments means you don’t believe in their relationship at all. The rest of the characters are also hollow, unremarkable and never even slightly funny.
I chuckled briefly only a few times, however they were contrived chuckles of desperation rather than genuine outbursts of laughter. I like dark, politically incorrect humour; however it’s all rather unsophisticated and adolescent here. This is in stark contrast with ‘In Bruges’, which continues to make me laugh on every viewing.
The script is messy, dull and consequently rather labourious to follow. The film sets up its premise, then a bunch of stuff happens, and then there is a bloody, almost slapstick denouement full of bad sound effects and comedic injuries which are just silly rather than funny.
Not only is this film massively inferior to ‘In Bruges’, it’s also a sorry instalment in the buddy-cop genre which, along with a slew of other turds, is rapidly stripping ’48-Hrs.’ and ‘Lethal Weapon’ of their originality.